Any stones' mound is an artwork, just depending on…
Cordoaria Nacional
"Love Is In The Hair", my hairdressing salon
Life's Love, 14Feb
At Sintra there are ruins where ghosts are walled
It's allowed to piss on the street
Arch with/without tram
A small garden between Benfica's blocks - XIV
There are people who rest better in the shopping c…
"Early modern exploitation of manatees and current…
Chimpanzee
THE IMPRECISE MELANCHOLY
If you go straight ahead you don't become lost
Calouste Gulbenkian Foundation
A small garden between Benfica's blocks - XV
"I wash my hands!", like Pilatos
Praça das Amoreiras
Rehearsal
Industrial alpinism
Here life doesn't need a stage
Golden monkey
PAINTING
The pianist
Orangutan
A small garden between Benfica's blocks - XIII
Waiting Room
Seahorse
The sun fisherman
PHOTOARK Project
This year the owner is prepared to paint the gate…
Weeper Capuchin
NATIONAL GEOGRAPHIC
Dome
There are lucky people! or will it be wealth?
BEACHCOMBER
Trees are old and stones older yet
There is too much wasteland in Lisbon yet
Step by step
LOVING SMILE - 57
The Moors Castle seen from the Sintra Village
See also...
Libros;Books;Livres;Livros;Bucher;Libri;knjiga;Libroj
Libros;Books;Livres;Livros;Bucher;Libri;knjiga;Libroj
Group of the Visual Poets (2 photos/day, no invite needed :)
Group of the Visual Poets (2 photos/day, no invite needed :)
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this photo by Armando Taborda


I tidy the books.
I take them out from one shelf without order and place them in another with order. Empty spaces remain.
Hourly.
I have told you nothing.
I call the others.
What I could say is dangerous: certainly (just like I said: I'll be back in ten years) that we meet again, sooner or later.
But I don't know when.
Reencounter sooner or later---the starting point.
///
Tenho arrumado os livros.
Tiro de uma prateleira sem ordem e coloco em outra com ordem. Ficam espaços vazios.
Hora em hora.
Não te tenho dito nada.
Ligo para os outros.
O que eu poderia dizer é perigoso: certeza (assim como eu disse: daqui a dez anos estarei de volta) de que nos reencontramos, cedo ou tarde.
Mas não sei mais quando.
Cedo ou tarde reencontro---o ponto de partida.
by Ana Cristina CESAR (1952-1983), suicidal Brazilian poet
(English translated by Armando TABORDA, 2019)
(photograph taken from Internet; edited by Armando TABORDA)
I take them out from one shelf without order and place them in another with order. Empty spaces remain.
Hourly.
I have told you nothing.
I call the others.
What I could say is dangerous: certainly (just like I said: I'll be back in ten years) that we meet again, sooner or later.
But I don't know when.
Reencounter sooner or later---the starting point.
///
Tenho arrumado os livros.
Tiro de uma prateleira sem ordem e coloco em outra com ordem. Ficam espaços vazios.
Hora em hora.
Não te tenho dito nada.
Ligo para os outros.
O que eu poderia dizer é perigoso: certeza (assim como eu disse: daqui a dez anos estarei de volta) de que nos reencontramos, cedo ou tarde.
Mas não sei mais quando.
Cedo ou tarde reencontro---o ponto de partida.
by Ana Cristina CESAR (1952-1983), suicidal Brazilian poet
(English translated by Armando TABORDA, 2019)
(photograph taken from Internet; edited by Armando TABORDA)
The Limbo Connection, Ulrich John, Steve Bucknell, aNNa schramm and 9 other people have particularly liked this photo
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Armando Taborda club has replied to aNNa schramm clubObrigado, Armando!
Armando Taborda club has replied to J.Garcia clubNada para agradecer, Judite.
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